Dear Diary sees postmodern dystopia through a pair of glistening pink Hello Kitty shades. It oscillates between cheerfully melodic rhythm and manic waves of insistent electronic nodes, manifesting a sense of weirdly melancholic optimism as it addresses an untethered sense of existence. Soothing melodies and startling synths intertwine in a record that seems as unsure of its' own composition as it is certain in its' delivery. Directed by Kristian Kirk, Cinematographer: Lasse Gudmand-Høyer, Editor: Jonatan Von Scholten, Gaffer: Oscar Was, Best boy: Johan Kristian Sandmark, Electrician: Ulrik Gani, 1st AC: Leonardo Bosetti, Production Asst.: Frederikke Sparboom
Dear Diary sees postmodern dystopia through a pair of glistening pink Hello Kitty shades. It oscillates between cheerfully melodic rhythm and manic waves of insistent electronic nodes, manifesting a sense of weirdly melancholic optimism as it addresses an untethered sense of existence. Soothing melodies and startling synths intertwine in a record that seems as unsure of its' own composition as it is certain in its' delivery. Directed by Kristian Kirk, Cinematographer: Lasse Gudmand-Høyer, Editor: Jonatan Von Scholten, Gaffer: Oscar Was, Best boy: Johan Kristian Sandmark, Electrician: Ulrik Gani, 1st AC: Leonardo Bosetti, Production Asst.: Frederikke Sparboom